Picture this

October 7, 2013 by Created by RCW

A new way to write?

So, it would appear that somewhen in the recent past, I made a transition in my writing. As I was working with a friend and colleague the other day on a novel we’re writing, I realized that something significant had changed.

I no longer write in words. I now write in pictures.

This is not to say that I have become an animator or that my writing implement of choice is a paint brush or crayon (nothing wrong with those choices) but rather that when I imagine a scene in my head, I no longer think to describe it in words but literally as visuals.

This may not sound like much to you, but for me—who has long held myself to be a wordsmith, first and foremost—it is huge.

For quite some time, I have been taking screenwriting classes, and the one comment that has been made consistently throughout that time is that I write like a novelist. I have mentioned before my affinity for narrative and my need to describe a scene to within a literal inch of its setting. Well, it would appear that in trying to break myself of the verbosity, I have swung all the way into pictures, leaving words in my dust.

For the case in point, I was trying to describe to my colleague how we might open the novel at the end of our story and then transition from one event at the end to a metaphorically similar point at the beginning of the story, which all sounded great until I tried to put that down on paper.

I managed to cobble together some verbiage that roughly describes what I saw, but I know it will take some time to effectively capture the visual in words…time I am more than happy to put in. But it rocked me to realize that I no longer saw things the same way.

Oh, my God. You don’t think… Nah, couldn’t be. I’m still working on being a writer.

Dear God, please don’t tell me, I’m thinking about become a… ugh, I can’t say it… a… a… director!

Anyone have a beret and megaphone I could borrow?

(Images are property of owners and used here without permission because that is Legal’s problem.)

I can’t see!

October 7, 2013 by Created by RCW

A parent’s call in the darkness

October 4, 2013 by Created by RCW

A friend and his family are going through a rough time…the worst time a parent could ever go through.

His infant son has a failing heart and after several surgeries, continues to struggle. They face the reality that little Joe may pass away.

Knowing that it is up to the fates to help his boy, my friend has channeled some of his energy into the creation of a video, asking people to consider signing up with an organ donor registry.

Please watch this video and then do what you think is best to help spread the word.

Hug a loved one. Reblog my post. Write your own. Tweet the video. Post it to Facebook. Sign up to be an organ donor. Be grateful for what you have. Anything helps.

Even if you can’t help baby Joe, perhaps you can help the next person.

The dignity of characters

October 2, 2013 by Created by RCW

Every human has an inherent nobility and dignity, and it is only in the limits of that dignity that people differ. Some people (the snots) hold themselves to a very high standard, while others (the goofs) appear significantly more relaxed in their approaches to life.

Even within an individual, there may exist multiple levels of dignity befitting the person’s roles or functions throughout the day. As a corporate executive, she may hold herself tightly constrained to maintain her air of authority, while as a doting mother, she may release her inner child for a game of tag.

And yet, even with the role-playing variations of life, each of us has an underlying threshold across we are hard-pressed to pass.

What is true for people is true for the characters we create, or at least should be, I believe. And it is in finding that central sense of dignity that we truly begin to understand these characters.

It is pivotal to their thoughts, actions, words and silences. It is also critical to how they view the world and how the world responds to them.

The goofiest, the most nebbish and most loathsome of characters has a line they will not cross, which writers exploit by presenting each one with a crisis. And while the writer and reader may think of that line as representing different things to different characters—for example, a move from light to dark for the good guys and dark to light for the bad guys—it is important to view the line from the character’s perspectives and aspirations.

Thus, the line is always a move from my light to my dark, my good to my bad, my right to my wrong. To approach it any other way would weaken and potentially two-dimensionalize the character’s resistance to change.

Scar from The Lion King completely believed in the truth and the righteousness of what he was doing. He understood that his actions flew in the face of tradition, but truly believed he was acting for the greater good.

Likewise, the anti-hero Edmond Dantès of the Count of Monte Cristo felt completely justified in his criminal actions because he was removing men worse than himself.

In both cases, as I have said elsewhere, each character was the protagonist of his own story.

In the end, society consumed Scar when he reached his line (i.e., bow to his nephew Simba) and he refused to cross it, and almost consumed Edmond Dantès until he released his anger and found peace.

Regardless of how prominent or fleeting a character, they all have their dignity, and although we may not explore all equally—lest we never complete our works—an awareness of that line will make for amazingly richer and more memorable characters, and thereby, better stories.