Curtained call

Rides

Tears carve channels

Through caked whiteness,

Intersecting painted smiles,

As limbs that juggled

And balanced on beams

Seem weighted and dead.

 

The music no longer plays,

Replaced by heavy silence

As tired hands wrestle

Cold cream jars and tissues.

The show has ended.

Only reality remains.

 

The face in the mirror

Beams gleefully back,

Yet the seated corpse

Sobs uncontrollably;

Everything left behind

On saw dusted floors.

 

If I give you everything,

Leave nothing for me,

How do I pass the night

Alone with this shell?

What can I be when

The clown is not here?

 

I frolicked; you smirked.

I stumbled; you laughed.

I collapsed; you roared.

I died; you applauded,

Departing for dull lives

As I melted to decay.

 

Who am I if not an

Echo of your delight?

As I remove my makeup,

Do I not erase myself?

Who will love the man

Who cries alone?

Hope

Choker

Silence pours forth

Where eloquence fails,

Unable to find words

When thoughts vanish.

Boiling with purpose,

I have no direction;

Faced with the inertia

Of fear and question.

 

My mind races on,.

Ready to reach out

A touch, a smile,

Connection desired.

You sit so close

That I feel your breath

On my very soul;

Yet mute is my song.

 

I can still see you,

Feel your musical heart,

Rest in your warmth,

Nestle in your voice.

You, me. One, all.

Easily experienced,

Soundlessly recalled,

Hopefully repeated.

Unknown

Kelp crow

Raven beckons me on a journey.

Its rasping voice pierces my spirit,

Pulling me to a future unknown.

 

Questions I ask, options propose,

Yet the ebon wraith remains evasive,

Demanding faith when will is weak.

 

What lies ahead in the darkness,

Where illusions of control are lost

And footing is no longer certain?

 

Raven ignores my fears, urges me forward.

When I look back for sights remembered,

His tar-pitched plumage absorbs my view.

 

With vision gone, I now see the unseeable:

The darkness that stills my timid heart

Is the freedom my soul has sought so long.

 

Where I am, light surrounds me;

Where I’m not, nothing exists.

I am the journey, unceasing while I live.

 

There is no stasis. There is no rest.

The raven that calls me is me;

And fear dissolves with my next step.

Our songs

SONY DSCWhere are the troubadours?

Who will sing our songs,

Tell our stories, shed our tears?

 

Our world has so much to say,

Yet our streets and courtyards

Boom with unrelenting silence.

I witness the horrors of another world,

Hear the cheers and jeers of strangers,

But my neighbour weeps in solitude,

Oblivious to the bonds we share,

Unknowing of my face, my voice, my heart.

 

Where are the troubadours?

Who will hear my story, my song,

Bring it to strangers in a familiar land?

 

Ghosts pass every day, unseen,

Faces held to the ground they trod,

Eyes focused on illusory distances,

Cacophonous words uncommunicated;

A wall of flesh and bone and cloth,

Devoid of spirit, absent of connection.

 

Where are the troubadours?

Who will touch our hearts, our souls,

With music, with stories, with love?

 

A strum of string. A strike of key.

Tremulous glottal vibration.

And an audience thirsting:

To see, to be seen;

To understand, to be understood;

To connect, to love.

 

Where are the troubadours?

Thor: Ragnarok – Review

thor-ragnarok-imax-poster-1723x2500

I would not have blinked had one of the characters in Thor: Ragnarok suddenly broken into song, bellowing “Kill the wabbit!”, because this movie was a live-action Bugs Bunny cartoon devoid only of Bugs Bunny, Elmer Fudd and Daffy Duck.

And I enjoyed it, exactly for that.

Unlike previous Thor outings that tried to delve into the frat boy-cum-reluctant prince (Chris Hemsworth’s Thor) and then dueling brothers (add in Tom Hiddleston’s Loki), this third treatise tossed aside any pretense at character development and plot, replacing it with 2+ hours of slapstick and one-liners designed to tickle the 12-year-old boy in all of us, regardless of gender.

By design, this movie was stupid and silly and wocka-wocka, and in that, it worked on all cylinders.

At best, the plot was a series of expositional “what you need to know now” moments that extended the sibling rivalry to include a supremely ambitious sister (Cate Blanchett aka Hela, God of Death) who felt slighted by Dad (Anthony Hopkin’s aging Odin).

Interwoven with this story was a side-plot that attempted to quantify whose dick was bigger: Thor’s or Hulk’s. Not surprisingly, the biggest dick actually belonged to alcoholic side-kick and fallen warrior Scrapper 142 (Tessa Thompson).

Despite the carnage—LOTS of people get brutally wiped out, so not sure if this is kiddie fare—the movie was downright fluffy and vapid, and your memory of it will likely evaporate by the time you get home. That said, the process of watching the film is fun, and one or two elements come to light (NO SPOILERS) that you know will feature in an upcoming Avengers saga.

And while we wait for that film, I suggest you YouTube What’s Opera, Doc?

Connection

Chickadee-1

From his water-laden branch,

Hidden among protective leaves,

The chickadee stares down

At the strange cyclops below;

His grasp on the limb

Is tenuous at best,

Close enough for details

Distanced for quick escape.

 

The one-eyed beast is calm,

Open to new connections,

Seeking only an audience

With his avian companion.

Words are unspoken, unnecessary,

As a bond is formed

In the hush of gentle rain,

Whispers of waving branches

Broken only by buzz-clicks

Of monocular blinks.

 

For this instant, this

Sodden, frozen moment,

Relationships are formed,

Connections are made,

Eventually to dissolve

Into photographic memory,

But vitally important

Both to he and to me,

Shared in wonder and awe.

Chickadee-2