Living unlabeled

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I am not a fan of labels.

Giving something a label, ultimately, is about trying to define a thing, an activity, an individual, whether you are outside looking in or inside looking out.

On one level, this makes sense as it gives us the tools and resources of common language.

Where this is a problem for me is that it tends to establish boundaries in our minds of what something is and what something isn’t.

My cousin and friend, Ian MacDonald, just published a blog post about the labels craftsman and artist, and the semantics game that swirls around those terms in his music and photography.

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In my own teaching experience, I have witnessed innumerable students striving and struggling to achieve Art; in some cases, frozen in sheer terror at what they believe is unachievable and ironically, unwilling to work on the craft of writing. Unwilling to create dreck on the way to Art, however they define either.

To minimize these boundaries and yet still be able to communicate with people, I strive to use the broadest terminology I can. This is why, when pressed, I refer to myself as a storyteller.

I tell stories with my writing. I tell stories with my photography. I tell stories in my social interactions. I tell stories when I am alone. I tell stories with my body language. I tell stories when I sleep.

Are my stories a craft? There is an element of that, particularly when I tell stories for money.

Are my stories an art? That is a personal choice of whomever experiences my story, including me.

Am I more than my stories? Most certainly. I am not my stories.

My stories are how I interact with my universe. They are a vehicle of communication.

Storyteller is just a label, a definition; but I do not let it limit me or my sense of self.

I lived a large portion of my life in search of the next label. I am now content to be.

 

My thanks to Ian for his blog post. Even if you’re not interested in photography, his web site is worth checking out. At the risk of labeling him, Ian is quite the philosopher.

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Award-winning screenwriter Randall C Willis is Story Analyst & Coach at So, What’s Your Story? (Facebook page). He also teaches screenwriting in Toronto at Raindance Canada and George Brown College, and you can find samples of his photography on Instagram @createdbyrcw.

(How’s that for labeling?)

Adventure

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Thanks to a dear friend, whom I originally met through WordPress, I just discovered that this is my 5th anniversary on this platform. That said, it would be completely understandable if my supporters wondered that I was still here, I have posted so rarely in the past year.

Although not an excuse, I have become a victim of the adventure I sought in life. In short, my life is full and it has kicked the crap out of my blogging.

Teaching gigs, story analysis gigs, magazine writing responsibilities and my continuing passions with screenwriting, novel writing and photography of all stripes has simply become too much of a moment-by-moment focus (oxymoron?), no matter how delightful.

This will change, sort of.

With the launch of my story analysis website SoWhatsYourStory.ca last year, and the upcoming launch of my photography website, I will focus this blog on one particular topic that complements the other two platforms. What that topic is remains to be determined.

I appreciate that some of you may not be interested in the isolated topic, but then, I am incredibly grateful that any of you have stayed with me through the creative chaos that is my brain and blog.

Here’s to the next adventure!

(In the meantime, some colour from the past year.)

Side long

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It’s subtle, almost imperceptible;

The sense you’re being measured.

 

It’s not malicious; it may not be conscious,

And it’s not the metric of any ruler or scale.

Rather it’s based on history.

 

Not world history; not even your history,

But a history of pain and joy;

A history of violence and caresses;

A history of anticipation, both eager and dread.

 

It’s a measurement made during a moment’s pause;

Through a renegade lock of hair;

In a side-long glance rather than challenging stare.

 

We measure the people we meet,

Seeking solace that this one’s different,

Checking for warning echoes of past sorrows.

Hoping for the best. Wary of the worst.

 

I am measured. You are measured. And yet,

The result speaks more of the measurer than the measured.

Remembering Johnnie

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It was my nightly ritual, lying in bed in the dark listening to the radio.

Still in high school and living at home, I had finally exercised some autonomy by moving my bedroom to the basement of our townhouse, two full floors from the rest of the family. It was my sanctuary, surrounded by my books, my mattress resting on the floor, the sounds of Toronto’s 1050 CHUM filling the room, disturbing no one.

The music stopped, as it often would for commercial breaks, but this time for a news announcement. Odd for this time of night.

“Reports are coming in that John Lennon has been shot and killed outside of his Dakota apartment in New York City.”

The air then hung silent—for a moment, a minute, an hour, I can’t say for certain—and then the room filled with the simple piano chords that start the song Imagine.

I knew of John Lennon, at that point in my life. Knew his songs from years of listening to the radio.

And I was well aware of The Beatles; from their music, their movies and even the lesser remembered cartoon series of my childhood.

But where my awareness of John Lennon and The Beatles had been a passive thing up to that dark night of December 8, 1980, something changed in me upon learning that Lennon was dead. A fire to understand, to turn my awareness into knowledge, to experience more kindled inside me, overtaking me.

The world had lost a beautiful, elegant poet who I was later to learn could also be a fragile, ego-centric asshole.

The world had lost a magnificent artist who stood atop a mountain of pain, grief, anger, vindictiveness and sorrow.

And in a Lennon-esque stroke of irony, the world had lost a man who had finally come to grips with his frailties, who had finally learned to express love and not just demand it, who could offer his talents to the world as a gift and not a response.

Although at times I found myself worshipping John Lennon as a god, I now remember the artist as a man.

Later tonight, I will play Imagine and I will remember.

Life is what happens to you while you’re busy making other plans.

Unknown

Kelp crow

Raven beckons me on a journey.

Its rasping voice pierces my spirit,

Pulling me to a future unknown.

 

Questions I ask, options propose,

Yet the ebon wraith remains evasive,

Demanding faith when will is weak.

 

What lies ahead in the darkness,

Where illusions of control are lost

And footing is no longer certain?

 

Raven ignores my fears, urges me forward.

When I look back for sights remembered,

His tar-pitched plumage absorbs my view.

 

With vision gone, I now see the unseeable:

The darkness that stills my timid heart

Is the freedom my soul has sought so long.

 

Where I am, light surrounds me;

Where I’m not, nothing exists.

I am the journey, unceasing while I live.

 

There is no stasis. There is no rest.

The raven that calls me is me;

And fear dissolves with my next step.

Change without and within

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Photo property of Iejano (www.flickr.com/photos/lejano/). Used without permission but undying appreciation.

There is a bridge that crosses Toronto’s Don River—the Queen Street Viaduct—that is itself bridged by an arch inscribed with the message:

“This river I step in is not the river I stand in”

The sentiment, I have learned, is an adaptation of the teachings of Heraclitus as handed down in Plato’s Cratylus:

“Everything changes and nothing stands still. You could not step into the same river twice.”

It is a concept that I have come to embrace deeply through my many walks around and across Toronto, my camera firmly planted in front of my face.

Although I regularly seek new routes to follow in the hopes of discovering previously unknown treasures (at least unknown to me), I also revisit well-trodden routes to explore the changes that occur from visit to visit.

As Heraclitus suggested, our world is one of constant transformation if we but seek to see it.

Every nature walk brings me new species of plants and animals to photograph and opportunities to better appreciate the ones I see regularly.

Every lane way and alley along the grid of thoroughfares that cross my city, offer me windows into the temperments of street artists and social commentators who splash their messages and visions on every surface in dazzling colour.

Grime

These displays and their constant revision is one of the reasons why I will never be bored on any of my walks. But there is another reason that resonates within me much more deeply.

I am constantly changing.

Just as Heraclitus suggested that the river flows and so is not the same from one minute to the next, my life and my experiences continually flow and so I do not greet my world in the same way from one minute to the next.

The same yellow warbler might sit on exactly the same branch at the same time tomorrow and I might never see it. And even if I did, I would appreciate it in a completely different manner for reasons I cannot begin to fathom and recount today.

Yellow warbler

Every experience—regardless of whether I am conscious of it—changes me and influences how I frame and absorb my universe. Acknowledging that helps ensure that I am open to all of these new experiences within supposedly familiar ground.

Thus, to paraphrase the Queen Street Viaduct:

“These eyes I look with are not the eyes I see with”

Believing this, I live in an amazing world and embrace every moment for its wonder.