Happy Thanksgiving to all of my Canadian friends and truthfully anyone who just likes the narcosis of turkey and pumpkin pie, no matter what time of year.
I have an abundance of reasons to be thankful this year, as with all previous, but perhaps my greatest thanks is for my ability and resources to give back to my communities: financially, spiritually, however love is needed.
Below, I describe a couple of projects I have underway that will hopefully bear fruit for any number of groups.
As an avid fan of the Toronto Marlies hockey team and avid photographer, I have been combining my passions by photographing the home games.
A couple of years ago, I took that one step further by designing a photo calendar for the hockey season (Oct to Sep), listing all the games & many player birthdays.
The first year, it was just a gift from me to many of the other season seat holders.
Last year, I sold them to anyone interested simply to cover my expenses. At the end of last season, however, my ticket agent & friend Wayne arranged to have the team sign the calendar and we auctioned it off with a team-signed stick on Facebook.
I was blown away.
This year, I am doing the same, but donating $5 from every sale (calendars are $20) to the MLSE Foundation, an org that uses sports to build communities.
Of the 75 calendars I ordered, I only have 16 left after the two-day home opener this weekend (both Toronto victories). Fans from as far away as the United Kingdom are jumping on-board to help support my effort, the team and the MLSE Foundation.
If you’re interested in supporting the effort by purchasing a calendar, feel free to reach out to me on my Facebook page or via my Twitter page. And you can find my photography (not just hockey) on my Instagram account.
Also, Wayne is again having one signed by the team, so watch another auction in the coming months!
I love walking all over the city of Toronto and pretty much anywhere else I visit, photographing both the wildlife and the urban art landscape of graffiti and murals. With that in mind, I recently decided to see if I could use that walking habit to raise some money for charity.
100 Days To A Better World is the result.
For 100 days (to Dec 25), I will record my daily walking distance and my total to-date, inviting people to sponsor my distance (per km).
When the 100 days is completed and the cumulative distance is known, those lovely individuals can then donate their total sponsorship to a charity of THEIR choice.
Rather than focus on a charity I think is worthy, I want to convince people to give their money to groups they think are worthy. We spread the love.
To date, with the generous support of many people, I am earning about $3.30/km.
As of October 8 (Day 23), my total distance is 263.41 km (158 miles); so, we have already raised $870 for various charities.
I appreciate that some people may have an upper limit on what they can afford – in case I go crazy and hit 1000 km (I am frighteningly on pace for that). No problem.
If they can’t afford any money but are willing to cheer me on, then I am honoured to have their support.
Just in doing the exercise, in having the conversation, I feel that I am making this a better world. That charitable organizations may also benefit is the icing.
Making a difference in the world doesn’t have to be difficult or even cost you anything financially.
It can centre on your passions, the things you do in everyday life and/or that bring you joy. It is as much about offering your time and spirit as anything.
It is about being open and loving. It is about being thankful.
I wish everyone all the best both in this season of thanks and throughout the months and years ahead.
The life of anyone practicing an art form—whatever you do with passion is your art—is a continual balancing act between impassioned self-expression and self-questioning despair. For me, this duality revolves around my efforts in fiction writing (i.e., screen, novel, poetry, short stories, etc.).
Earlier today, I learned that the television series 2 Broke Girls ended its six-season run on CBS, and the news briefly shifted my balance toward despair.
On a couple of occasions, I tried to watch the sitcom about two broke girls plying their trade as diner waitresses while targeting a dream of opening a cupcake shop. But each time, I had to turn the show off after a few minutes because I found the comedy so excruciating.
Every 15 seconds, there was yet another wink-wink nudge-nudge one-liner that I felt lacked any art whatsoever, dialogue that but for an incessant laugh-track would likely have been met with complete silence in front of a live audience.
And yet, the series aired for six seasons. It had enough of an audience for CBS to keep it on the air.
I like broad comedy; truthfully, I do. I even write it on occasion.
I live for Mel Brooks’ comedies, for Monty Python’s Flying Circus, for Blackadder, for The Muppet Show, for SCTV, In Living Color and Kids in the Hall.
Anyone who has followed me for any period of time—especially on Twitter—knows I am up for any joke-opalyse.
But the appeal of 2 Broke Girls and its ilk—looking at you, Two-and-a-Half Men—simply eludes me. It feels like one-liners in search of a higher purpose.
But here’s the thing I constantly need to remind myself:
This difficulty rests entirely within me, and has nothing to do with the creators or writers of any of these shows.
Celebrate, don’t negate
Getting ANY television show to air, getting any screenplay turned into a movie is difficult, even in this era of seemingly limitless venues and diminishing equipment costs.
That any show manages more than a pilot episode is amazing. So, six seasons of broadcast should be celebrated from every mountain top.
As an artist, I applaud 2 Broke Girls creators Michael Patrick King and Whitney Cummings for getting their show on the air. I congratulate the people behind the Sharknado series for continuing to produce films.
To denigrate these efforts simply because they do not suit my tastes is not only unfair, it is also blatant hubris.
Who the hell am I—a writer who has one television special to his credit (thank you, SomeTV!)—to say that these efforts are unworthy of attention?
For that matter, even if I were more routinely lauded and vastly more accomplished, it would not be my place to dictate what should be valued as Art.
And as an artist, as someone exploring my passions:
Dwelling on this topic is useless. More importantly, it is detrimental to me and the craft as I exercise it.
It would be naïve to suggest that trends in comedy and writing have no influence on my career as a writer, but honestly, my career is secondary to my writing; a beneficial side effect, if you will.
Comparing my efforts to those of others is therefore unimportant.
My only true comparator is what I wrote yesterday and any internal sense of whether I am getting better at making the points I wish to make, telling the stories I want to tell.
I write because I have something to say.
I write because I don’t know how not to.
I write because it brings me joy.
Certainly, part of understanding my craft is seeing how others approach the same challenges and opportunities I face.
Just as I must choose my path forward, so too must they theirs. Although I may not see the merits in their choices, they are doing what is right for them and I must honour that.
There is room enough for all of us.
I own complete series collections of Get Smart and Hogan’s Heroes, which I appreciate others might consider as insipid as I do 2 Broke Girls.
So, What’s Your Story? (web)
So, What’s Your Story? (Facebook)
When I have told a story well, I have merely put in place the elements from which you will create your own version of the story.
You meld these elements with your own perspectives, histories, moods and experiences to go places that I can’t begin to imagine.
In this way, Art is a communal exponential experience, and the Universe is as blessed by the one who receives the gift as by the one who first shares it.
In keeping with my recent focus on happiness and passion, I want to let you know that it is perfectly okay to be unhappy.
Really. I promise.
If you’re unhappy, you have every right to feel that way AND to express your unhappiness.
We live in a society that is terrified of unhappiness. Our consumer ways are designed to give you everything money can buy to be happy.
When we see someone who seems unhappy, we try to get them to smile. We ask them what’s wrong.
And in more extreme cases, we try to medicate the unhappiness out of them, the premise being we would rather that you be an emotionless zombie than unhappy.
And rather than face being unhappy, many take to self-medicating whether through narcotics or alcohol, food or sex, or other social mechanisms to display an artificial happiness to the world.
We can be afraid to express our unhappiness with the world for fear the world won’t accept us, that they will take offense at our unhappiness as though we were blaming them for it.
Will my partner think I am blaming him or her? My family members? My co-workers? My friends?
If I tell them I am unhappy and can’t explain why—and often we can’t immediately see it—will they abandon me?
In some cases, with some individuals, the answer may be yes, and that is unfortunate. But in my personal experience, the answer is no.
I worked for several years with friends on a sketch comedy show. It was a labour of love all the way around, but at a certain point in the project’s development, long after my creative contribution culminated, I became unhappy with my involvement in the process. But I was afraid to say something.
How could I tell my friends I didn’t want to do this anymore, that I didn’t want to participate in our dream project? Would they hate me? Would they tell me to fuck off and die?
I eventually worked up the balls to discuss this with them, to lay out my dilemma. They saw that I was serious and that I was struggling. They asked a few questions for clarification. And then they accepted my decision and continued to love me (and do to this day).
Knowing I was miserable working for one company, another friend got me a position in her company (we had previously worked together). My new coworkers were wonderful, the job was what I had wanted. But six weeks in, I realized I didn’t want to do this job anymore…I wanted to move on to a different dream.
How could I turn away from a wonderful job? How could I betray my friend who introduced me to this company? How I slap these amazing people in the face?
I told my friend I was unhappy and wanted to explore my new dream. She was delighted for me and knew I would be brilliant. I told my new bosses that I loved their company but had to follow my heart. They were thrilled and agreed that I had to pursue my passion.
We often don’t give the people in our lives enough credit for wanting what is best for us. We let fear get in our way; fear of rejection, fear of the unknown.
We are repeatedly told and have come to believe that unhappiness is wrong; it is an aberration; it is an affliction.
It is none of these.
It is a feeling, an emotion, a sign. And we must give it the same respect that we give our other emotions, from anger to joy, from sadness to elation, from frustration to fulfillment.
There are not positive emotions and negative emotions. There are no good feelings and bad feelings.
IT IS OKAY TO BE UNHAPPY!
Until we accept and embrace that we are unhappy, we can never figure out why we are unhappy or what we want to do about that feeling and those circumstances.
Love yourself enough to listen to yourself. Feel what you feel. Share what you can.
Ironically, being unhappy may be your first step to being happy. And if it isn’t, that’s okay, too.
In February 2018, an organization called The Expansion Project is hosting a men’s retreat in Barbados as part of their efforts to help men and women find their ways to personal transformation and happiness.
I am hoping to speak at this retreat, and as part of the submission, they asked us all to do short videos, introducing ourselves, our proposed talks and how our subjects align with The Expansion Project’s mission.
The video above offers my thoughts on the role of passion in happiness, somewhat stemming from my recent blog post of Happy as a verb.
The fundamental premise is that happiness resides within us from our earliest days and simply awaits us to remove the layers of muck and mire that have built up over decades of living a life we may not have chosen, doing what was expected of us rather than what we longed to do. Reconnecting with your passions is the first step to removing that mess and uncovering your dormant happiness.
Please watch the video and give me your thoughts.
At the very least, in the comments section, please list your favourite charity, as The Expansion Project wants to donate some of their proceeds back to the community.
P. S. The Expansion Project is also hosting a similar retreat for women in the Cayman Islands in November 2017.
The Expansion Project on Facebook
Randall C Willis on Facebook
If you read enough—screenplays, novels, articles, poetry—your mind can go numb to the sameness of storytelling, whether in subject, structure, narrative style or innumerable facets you no longer see.
As a storyteller, I dread the idea that my work falls into that category, and yet I know some of it does.
The urge, therefore, is to come up with ways to surprise the reader, to give their eyes, minds and souls something they have never experienced before.
We are creatives, so why should we not be creative?
How can I shake things up in my storytelling to dazzle the reader?
What if my characters all spoke in limericks? What if I wrote my action descriptions as music? What if I named my characters using the military alphabet (see M*A*S*H)?
Yeah, what if you did any of those things?
Novelty and expectation
The biggest challenge in going with your own style is that it absolutely has to work. There is no middle ground.
Out of the gate, you are going to piss off traditionalists: 1) they expect to read things in a certain way and don’t embrace change easily; and 2) they see your decision not as innovative, but rather as the act of a storyteller wrapped up in his or her ego.
Who are you to think of yourself as above the law?
(Very melodramatic, these traditionalists.)
Even with readers willing to go on a ride, however, you’re going to need to prove that your method is worth the effort, that it brings something to the storytelling experience that a more traditional approach does not or cannot.
In a recent Go Into The Story blog post, Scott Myers looks at how the writers of Wall-E used a very unconventional, almost poetic style for their scene descriptions. Offering examples from the screenplay, Myers shows how simplifying the descriptions allowed the writers to focus on what the heart felt rather than what the eye saw. In the process, they created a very fluid and impactful read.
Up for the challenge?
So, should you rush back to your manuscript and do the same thing? Or do an equivalent that best suits your specific narrative?
The answer to those two questions is unfortunately two other questions.
Is there an appropriate equivalent? And can you pull it off?
Even if there is an alternative way to present your story, you may not yet be ready to effectively execute it.
Your writing skills may yet require some seasoning until you can effectively pull off non-traditional approaches to storytelling.
Alternatively, you may be approaching this challenge with the wrong (I hate to use that word) mindset; that you’re seeking novelty for the sake of novelty and not because it will enhance the power of your story.
That said, if you really want to try something new, if you really want to challenge yourself, then go for it.
Go for it
Nothing is permanent. Versions can be saved. You can always retell the story in a more traditional manner.
Even if it doesn’t work, you have improved your storytelling skills for the experience.
And ultimately, to counter my earlier point about others’ reactions, most of us tell stories because we have a passion for storytelling. The business of storytelling is secondary.
I welcome and encourage you to continue to explore that passion, both for your own happiness and because that is how you will create the truly remarkable.
To learn more about effective storytelling, as well as the power of story analysis and story coaching, visit:
So, What’s Your Story? (web site)
So, What’s Your Story? (Facebook)