Success Stories

Image

About 10 years ago, I had the opportunity to attend a science writers’ workshop outside Boston. In one of the sessions, the speaker spoke on the risks of anecdotal evidence using the following example:

Dolphins are highly intelligent mammals, but also seem to have an inherent sense of humanity (for lack of a better word) as evidenced by the number of stories where dolphins have saved the lives of stranded sailors and fishermen by pushing them toward shore.

Unfortunately, there is a problem with this conclusion based on this evidence, which I will address later in this post.

 

In learning the craft of my arts—whether business/marketing, science writing or screenwriting—I have relied on various authors to teach me the benefits of specific approaches. And one of the most popular ways to describe these benefits is through the use of success stories.

My most recent read was The Element: How Finding Your Passion Changes Everything by Ken Robinson, a quite enjoyable book that ties nicely with my current thinking on my Art. (Nothing like rationalizing your own opinions with support from books you know to agree with you—but that’s another blog post.)

As Malcolm Gladwell so deftly does for business endeavours, Robinson weaves his discussion of the cross-over point between talent and passion with numerous success stories, most of which take the form of:

  • Young person faces adversity when she goes against the norm
  • Struggling to find her way, she is marginalized by the local community and authorities
  • Through personal tenacity and/or the support and guidance of a mentor, she blossoms in her Art
  • She is now worth bajillions of dollars and/or helps gazillions of people/animals

Who is Robinson talking about? Paul McCartney, Arianna Huffington, Richard Branson, and several others less famous.

These stories are inspiring and uplifting. Everybody enjoys an “against all odds” story.

Tell the same anecdote about a farm boy on Tatooine and you have Star Wars. An addled boxer in Philadelphia, you have Rocky. An addled boxer in New York, you have Raging Bull. Another addled boxer in New York, you have Cinderella Man. Anyways…

One thing that bothers me about these stories, however, is that they establish a linear relationship between individuality and success (which I can buy) at a success rate of approximately 100% (where it all falls down).

What about the individuals who followed a parallel process and didn’t become Paul McCartney, Richard Branson or Arianna Huffington? Who bucked the trend, stood up for themselves and were run over by society?

Failure is an option, friends. It shouldn’t be glossed over. You can theoretically do everything right and still not achieve the success you were looking for.

Again, I agree with the theses these (wow, that’s an odd juxtaposition) books describe—that following our individual strengths/talents/passions and relying on inner fortitude rather than simply conforming to society’s will is our best chance at happiness as individuals—but I balk at anything that smacks of guarantees or promotes unrealistic expectations of success.

Where is the balance? Where are the cautionary tales?

I don’t think any of the authors set out to perpetrate a scam. They’re not trying to pull the wool over anyone’s eyes or sell you snake oil. They’re truly trying to inspire people with feel-good stories, which is commendable. Their audiences, however, are typically so full of hope, so looking for a beacon, that they are apt to see these anecdotes through rouge-hued specs and so mistake proof-of-possibility for proof-of-concept.

It’s a case of reader be aspirational but realistic. Your efforts may not work the first time through, but that doesn’t mean you shouldn’t keep trying.

 

And the problem with the dolphin anecdote:

We will almost never hear about the times the dolphins pushed the stranded sea-farers further out to sea rather than to shore, because those people probably drowned. Thus, the anecdotal evidence is skewed in favour of success stories.

(Image is the property of its owner and is used here without permission.)

10 Steps to Writing a Pilot That Sells

No, no! Not that kind of pilot. Although, cute photo. (Image used without permission)

No, no! Not that kind of pilot. Although, cute photo. (Image used without permission)

1) Watch a lot of television; especially stuff you don’t like or think is bad. This will establish the belief within you that you could write something at least that bad and still get it on the air.

2) Conceptualize a show that combines one of your siblings or cousins, the second job you ever had, and a famous moment in history. Every idea after this will sound entirely plausible; and hell, this might actually work as a sitcom.

3) Conceptualize an idea that is morally offensive to you and then see if it was one of the shows in Step 1. If not, then the market is ripe for the picking.

4) Describe the absolute worst day of your life, a day when everything went wrong. Then switch one of the disastrous elements. Then, switch another element. Do this 10 more times. Season One!

If you can’t create 13 variants, your day wasn’t that bad and your life is too good for you to be writing for television. Go write greeting cards.

5) Grab a copy of Bulfinch’s Mythology and reset all of the stories in modern-day Seattle or the smallest town you’ve ever visited. Warning: Brace for complaints that it’s a rehash of Dallas or Friday Night Lights.

6) Grab a copy of Bulfinch’s Mythology and do not reset the stories. Hell, if it worked for The Borgias and The Tudors, it might work here. Call it The Olympians.

7) Start with Episode Two, because pilots suck and you’ll never want to show it to anyone. You need to know/believe your idea works.

8) No matter what your current idea is, when you go to pitch it and you think you’re losing your audience, suddenly reveal “And the protagonist is a ghost!” Vampire, werewolf and zombie are equally acceptable.

9) Stop reading advice on writing a successful pilot and just write your story, already. There is no telling why someone in a suit will get excited by your story, but I can guarantee they won’t if you’re not.

10) If all else fails, generate a top-ten list of ways to write a pilot that will sell and use it as the basis of a book you will later turn into a sitcom.