One of my childhood thrills was going to the Royal Ontario Museum (ROM) in Toronto, and by childhood, I mean lifelong, never-too-old eternal childhood. Visiting those familiar hallways and displays has always been like wrapping myself in a comfortable blanket of love.
I spent 3.5 hours wandering many of those same exhibits with my camera and left somewhat depressed. So much of that familiar charm feels gone or is relegated to a back corner of the hallowed halls.
Back in 2007, as part of the museum’s revitalization and expansion program, the ROM unveiled The Crystal, which the museum describes as:
“Considered to be one of the most challenging construction projects in North America for its engineering complexity and innovative methods, the Lee-Chin Crystal is composed of five interlocking, self-supporting prismatic structures that co-exist but are not attached to the original ROM building, except for the bridges that link them.”
Depending on whom you ask, this structure is either the most beautiful addition to Toronto architecture ever or the biggest monstrosity of ill-conceived architectural hubris.
I tend to fall into the latter category, as the addition feels like something that was slapped onto the old façade rather than something that is an organic extension of the pre-existing structure. And to make matters worse, although there has been some nod to design on the outside of the building, the inside still displays unfinished work that looks like particle board held together with visible screws and grated flooring. Only the lack of builders’ chalk marks signal that this is not a work in progress but rather is the final product.
But back to my depression.
As I ate lunch in the ROM cafeteria, I realized that I hadn’t been through a couple old familiar displays, including the old dinosaur dioramas that I loved as a child. Flipping through the museum guide, I suddenly realized: they were gone. The dinos of the Crystal were all that remained. A significant part of my childhood was gone.
Of the 170+ photos I took yesterday, I will likely only keep a dozen or so…and of that dozen, I may only be happy with 2 or 3.
Apparently, the camera was willing but the spirit was gone.
Additional note: While I am unlikely to wander the ROM’s halls much in the future, I will still visit on occasion when a new exhibit comes to town. The present show—Wildlife Photographer of the Year—is stunning.