Tag Archives: fearless

Living unlabeled

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I am not a fan of labels.

Giving something a label, ultimately, is about trying to define a thing, an activity, an individual, whether you are outside looking in or inside looking out.

On one level, this makes sense as it gives us the tools and resources of common language.

Where this is a problem for me is that it tends to establish boundaries in our minds of what something is and what something isn’t.

My cousin and friend, Ian MacDonald, just published a blog post about the labels craftsman and artist, and the semantics game that swirls around those terms in his music and photography.

IMP site

In my own teaching experience, I have witnessed innumerable students striving and struggling to achieve Art; in some cases, frozen in sheer terror at what they believe is unachievable and ironically, unwilling to work on the craft of writing. Unwilling to create dreck on the way to Art, however they define either.

To minimize these boundaries and yet still be able to communicate with people, I strive to use the broadest terminology I can. This is why, when pressed, I refer to myself as a storyteller.

I tell stories with my writing. I tell stories with my photography. I tell stories in my social interactions. I tell stories when I am alone. I tell stories with my body language. I tell stories when I sleep.

Are my stories a craft? There is an element of that, particularly when I tell stories for money.

Are my stories an art? That is a personal choice of whomever experiences my story, including me.

Am I more than my stories? Most certainly. I am not my stories.

My stories are how I interact with my universe. They are a vehicle of communication.

Storyteller is just a label, a definition; but I do not let it limit me or my sense of self.

I lived a large portion of my life in search of the next label. I am now content to be.

 

My thanks to Ian for his blog post. Even if you’re not interested in photography, his web site is worth checking out. At the risk of labeling him, Ian is quite the philosopher.

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Award-winning screenwriter Randall C Willis is Story Analyst & Coach at So, What’s Your Story? (Facebook page). He also teaches screenwriting in Toronto at Raindance Canada and George Brown College, and you can find samples of his photography on Instagram @createdbyrcw.

(How’s that for labeling?)

Safe is not safe

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Yesterday, I watched the interview of Billy Crystal on The Daily Show and aside from the startling reminder of just how funny Crystal is as he approaches his 65th birthday, I was deeply effected by a story he told.

In his earliest days as a standup, he performed one night at Catch A Rising Star, where he absolutely crushed his audience—20 minutes of pure gold. And yet, when he had dinner later that night with Jack Rollins, the man who discovered Woody Allen and made him a star, Rollins was unimpressed with Crystal’s set. This drove Crystal crazy and when he finally worked up the courage to ask why, Rollins complained that Crystal had played it safe.

Crystal’s entire set, he explained, was material that he knew would be appreciated by his audience, and Rollins acknowledged it was funny. But it also left him cold, as it told him nothing about the man behind the humour. It said nothing about who Crystal was and what he thought about the world.

Never be afraid to bomb, Rollins advised Crystal, and it has been Crystal’s advice to aspiring comics ever since.

Too often, writers of all media and genres face the same challenge. With an eye to being popular (liked) and commercial, we play it safe. We don’t push ourselves, our talents, or our audiences hard enough. We hold back for fear of offending. The results are shelves of books and DVDs that are milquetoast, bland, generic, and channels that are devoid of anything stimulating.

It’s not entirely the writer’s fault. Some of us have agents and managers cautioning us before the next deal. Editors and producers “honing” and “refining” out creativity in the hope of better numbers. But we let them do this to us and to our Art. Playing it safe may get you that next deal, but will it keep the deals coming?

When your work reads like the next writer’s work, which reads like the last writer’s work, why does anyone need to choose you or your idea?

Like them or no, there is no denying the talent that went into shows like The Big Bang Theory (4 physicists and an actress?), Breaking Bad (a meth-cooking school teacher?) and The Big C (a cancer comedy?). Or the book 50 Shades of Grey (mom reads porn?). Or the movie Memento (an inside-out movie?).

None of these were safe choices. None of these was obvious. All of these made people uncomfortable.

Go to the edge with your writing. Stare down the precipice and smile.

Don’t just face your fears; laugh at them and then take a giant step forward into the unknown.

In life, safe is an illusion. In Art, it is a lie.

As an artist, the most dangerous thing you can do is play it safe.

(Image is property of owner and is used here without permission because I like to live dangerously.)