Music and the soul

Alive Inside movie poster from the Sundance Film Festival

Alive Inside movie poster from the Sundance Film Festival

I am not a musician. I do not play an instrument, nor do I sing (not well, at least), and I do not understand how music is constructed. I do, however, like music and firmly believe that if we ever discover proof of a human soul, it will translate itself to us in the form of music.

I have, of course, no evidence to support this belief, although a recent experience at the Nashville Film Festival suggested I may be on the right track. The event was the showing of a documentary called Alive Inside: A story of memory and music.

The film, directed by Michael Rossato-Bennett, follows the story of social worker Dan Cohen who has spent the last several years bringing iPods to nursing homes across the United States. Cohen has found that even with the most neurologically shut down senior (e.g., clients with Alzheimer’s disease or other forms of dementia), revive when they music from their youth.

Director Michael Rossato-Bennett (l) and social worker Dan Cohen (r)

Director Michael Rossato-Bennett (l) and social worker Dan Cohen (r)

Slowly, as the story plays out, we are introduced to human husks that reside in these homes and palliative care centres. People who had once been husbands and wives, mothers and fathers, sons and daughters, but who have been reduced to masses of barely interactive biological matter by their medical conditions.

And yet, when the headphones are placed over their ears and music pours down thin white wires into ear buds, those husks are infused with life. Like a balloon that only shows its true form upon inflation, the inert bodies and death masks take the form and substance of the human beings they once were.

Henry comes alive again as the music reaches inside

Henry comes alive again as the music reaches inside

Eyes glow with life, spines regain flexibility, paralysis becomes movement, and disengaged spirits connect with the world. If only for a few hours, the catatonic fog lifts and a human is reborn.

The science—discussed in part with Dr. Oliver Sacks—suggests that the familiar, beloved music of the individual’s past activates that part of his or her brain as yet left untouched by disease, effectively relinking the connections between their worlds within and without. That may be true, scientifically.

What was certain to me was that the music either reignited the spark that makes us human or provided the fuel that converted a seriously diminished spark into a sputtering flame. The results were miraculous.

Even in cases where disease hadn’t erased the person’s individuality but dampened it with manic-depression or multiple sclerosis, the music seemed to quieten the internal maelstrom enough for the person to re-emerge. The woman immobile without her walker, shoved it aside to dance to Spanish guitar.

The story of Alive Inside had a personal connection for me as I immediately thought back to my now-deceased grandmother Dorothy who fortunately had maintained her mental faculties except at the very end. Her apartment, as I remember it, was constantly filled with music, her CD player rarely turned off. New CDs coming into her home every Christmas, every birthday. Elvis, Michael Buble, The Mills Brothers, Motown and light opera. She was at her most contented when listening to music.

The caregiver...

The caregiver…

...becomes the care-receiver.

…becomes the care-receiver.

But the world was completely different when she was in the hospital—a life of cardiac issues catching up with her eventually. In the anemic, lifeless wards where wonderful warriors did their best to stave off the inevitable, I could see Dorothy’s spirit wane with each passing day. Even if I didn’t always think she was physically ready, my happiest days were knowing she was going home.

When something upsets the norm, ceases to function correctly or goes completely dormant, it is easy to set it aside and forget about it. When that something is a loved one, setting them aside is never easy but it is often easier than coping with the problem. And once set aside, forgetting becomes that much easier.

Seeing that a person is still inside that morbid husk of a human, however, changes everything. Knowing that we have committed a living, breathing, connectable loved one to solitary exile becomes less palatable, less conscionable.

Music isn’t the solution. It doesn’t reverse what has happened to the person biomedically. Within minutes or hours of the music ceasing, the individual typically deflates to his or her former shell.

But we who have witnessed the transformation, we have been permanently changed because we can never see that human shell the same way ever again.

We know that shell is not lifeless, and once we know that, there is no going back.

If you get the opportunity to see Alive Inside, please do. And be sure to bring plenty of facial tissues.

Winner @ Nashville Film Festival

Me sharing the red carpet with friend and writer Larry Shulruff.

Me sharing the red carpet with friend and writer Larry Shulruff.

Late yesterday, my screenplay Tank’s won best animated feature at the Nashville Film Festival.

Pretty stinking stoked about this as it was a screenplay I had contemplated retiring for a bit to seriously rewrite it later. Still needs a rewrite, but happy to let it rest on its laurels for a bit.

Thanks to all you lovelies who had to listen to me kvetch about this thing for the last couple of years, and in particular to Marsha Mason, whose incredible reading and analysis helped me make this a massively good read.

No time to hate

hug

I’ve seen a lot of hate and anger in my social media feeds lately, directed at people of different religions, heritages, philosophies, and lifestyle choices, and it makes me sad.

I am sorry that the individuals who have posted this stuff feel this way and think these things. They are not bad people. They have their reasons of which I cannot possibly fathom. I can only offer them my love.

If I have contributed to these feelings in any way, through my humour, sarcasm or cynicism, I am sorry. That was not my intent. I meant only to induce people to smile and think.

The world can be an amazingly shitty place that naturally prompts fear, anger, hatred. The challenge is that these feelings only serve to make a shitty situation that much shittier.

The world can also be an amazingly beautiful place that hopefully prompts feelings of wonder, awe, unity and love. And just as in the previous situation, these feelings too serve to make a beautiful place that much more beautiful.

I cannot ask you to set aside your negative feelings. We all feel pain in our lives. To even suggest that you ignore these feelings is to invalidate them. That would be wrong of me.

I can only ask that you try love whenever you are able.

Not in the hope that it will cure your ills or diminish the slights you have suffered. Merely in the hope that a surfeit of love in the world will make those ills and slights easier to bear, if only because you will find you do not have to bear them alone.

obama-bear-hug

(Images are property of their owners and are used here without permission but in the hope that I have done them justice.)

On Second Thought

Do you think?

Why do we give our second thoughts so much more sway than our firsts? What is so magical about the second thought that makes it more believable, more honest, more sensible?

I had second thoughts about writing this simply because it was prompted by a conversation with a friend who is struggling with a dilemma. Would my friend be upset I was talking about him or her? Making light of his or her dilemma? Sharing secrets that weren’t mine?

I can deal with that.

Rare is the person who completely trusts his gut; who goes with the first thought that comes into his head. To the outside world, such a person is often considered rash or impulsive, perhaps even flighty. Rarely is he described as definitive or confident.

Second thought, in contrast, is seen as considered, rational, reasoned…well, thoughtful (or thought full).

The Senate of Canada’s Parliament has oft been described as the chamber of sober second thought, as though the House of Commons is populated by ADHD-riddled chickens, prone to explode at the slightest provocation.

(The realities of the Canadian Parliamentary system are fodder for a different blog post.)

The concept of sobriety does point to one of the benefits of second thought. The decision not to pursue flights of drunken fancy such as driving home after drinking too much rather than take a taxi. But while this points to the benefits of second thought, it also points to its source: Fear.

We have and listen to second thoughts because we are afraid. We are afraid that our first thought was ill-considered (rash) and might result in failure. And because we don’t want to take responsibility for that failure, we build a rationale for our alternative thoughts, thus making ourselves more confident in our decision.

The harsh truth, however, is that no matter what our final decision, there is always a risk of failure, perhaps catastrophic. The Titanic and Hindenburg were well-considered ventures based on sound and common practices. It was the unforeseen (if not unforeseeable) incidences that doomed the exercises.

To a greater or lesser extent, gut instincts and reactions are You unencumbered by rules and conventions. They represent the way you view the world and yourself without the censorship of social pressures. Thus, I believe, they more accurately represent your goals and desires, and ultimately what will make you happy.

Now, this is not a belief that was reasoned on the basis of careful study. If nothing else, that would defeat my argument. It does, however come from a lifetime of observing others and myself.

I have no reason to lie to myself when under my own control, in the absence of other influences—chemical or human. Thus, my gut instinct is my truth.

This doesn’t mean that I have to follow it—there may be extenuating circumstances to go another way—but I should never deny the instinct.

In denying it, I will never have the opportunity to build faith in it, and ultimately, second thought is a lack of faith in myself.

confident

Becoming the Mole

whack-a-mole-ogrady

Life used to be one giant game of Whack-A-Mole, the arcade game where you stand above a series of holes with a mallet or bat and try to smack moles as they arise randomly. In my case, however, those moles were work assignments, social responsibilities and general life requirements.

Just as I would deal with one call for my attention, it seemed two or three others would raise their ugly heads. Distracted and disoriented, I would reach for one task only to watch it recede and yet others arrive.

As a 60-second challenge in an arcade or amusement park, the game can be quite fun; a way to exercise your peripheral vision and reflexes.

As a lifestyle choice, however, it was exhausting.

A change—well chronicled in this blog—took place a couple of years ago, and my approach to Whack-A-Mole changed with it.

I still play the game, but now the moles are of my choosing. I know where the next mole will arise because I put it there.

A novel writing episode. A hockey game to attend. A poem to create. A book chapter to read. Words to cross in a puzzle. All of my choosing.

Movies to attend with friends. Colleagues to meet in a pub. Media on which to socialize. I can say yes…and I can say no.

As I learned to give up control of my life, I also made sure I gave up any over-arching sense of responsibility for the happiness or satisfaction of others. I do my best to fulfill my commitments, but I make sure I understand where my commitments end.

The result? I have never been more in control of my life.

XIR155451

Ironically, in my divestment of control came an unexpected freedom that has manifested itself as a muse that comes unbidden. I do not search or wait for the muse; she sits with me constantly. An earnest voice who insists on being heard.

I have become the mole. Now, it is my turn to pop up in other people’s lives—hopefully welcomed—to offer exciting new creative opportunities.

A new sketch or monologue. A book that needs illustration. An idea for a video. An invitation to photograph animals at the aquarium.

Go ahead. Gimme a whack!

mallet

(Images are property of owners and are used here without permission, but I thought I’d take a whack at it.)

Longer Penis (not spam)

Size

Do you ever find yourself, for whatever reason, wishing you had a longer penis?

I found myself thinking this the other day while standing at a urinal in a sports bar.

You see, as I’ve gotten older, I have found myself becoming increasingly hard-of-seeing. Although I have accepted reading glasses as an everyday thing in my life, I still find that I have to play trombone somewhat when trying to read a book or the newspaper, particularly in poorly lit areas.

So, what does this have to do with a longer penis, you may ask.

For the uninitiated, over the urinals in many if not most sports bars in Canada, the bar posts a section of the newspaper (most often the sports section), which gives gentlemen something to look at while in the bathroom. I’d like to tell you it is for the betterment of our understanding of the human condition, but am more apt to say it is to keep us from inadvertently gawking at our neighbours.

Well, of late, I have found it increasingly difficult to read this newspaper because I am standing too close to the wall. Even with my reading glasses on, I cannot make out the print of the story. And let’s face it, if you have to put your reading glasses on to pee, you are either blind as a bat or have a really short penis.

With a longer penis, I believe, I would have the opportunity to stand further back from the urinal and potentially bring the newspaper into focus. Standing further back with a shorter penis just leads to a mess no one wants and would keep me from accurately hitting the little soccer ball (some of you know what I’m talking about).

As it is, my only alternative is to try to read the paper over the next urinal, which has its own risks.

If I am alone in the bathroom, no problem. But the minute another fellow stands at the next urinal…

Well, let’s just say no one likes to have a stranger read over your shoulder, so you can imagine how you’d feel having a stranger read over your penis.

So, yes, sometimes I wish I had a longer penis.

Oh, and unless you have a third hand, don’t try turning the page over…trust me, it’s better for everyone if you just read the rest of the story later.

urinal-journal

Writing for puppets

Monty meets Muppets!

Monty meets Muppets!

As some of you may know, I am one of the comedy writers for a sketch show called SomeTV!, which is currently in production in Toronto. As our godhead Nic likes to describe it, the show takes the no-sacred-cows approach of Monty Python’s Flying Circus and combines it with the playful anarchy of The Muppet Show (no hubris here, eh?).

Now, for some, that may sound like the greatest writing gig ever. Those some have clearly never written for puppets.

Human actors—or as we call them, Fleshies—can be tricky enough to deal with. Prone to completely misunderstanding the point of a scene or sketch, they tend to have difficulty learning lines that make no sense to them.

Luckily, their natural insecurity, despite the outward facing ego, means that they can be molded into subservience, if only in two- to five-minute chunks, the longest most are willing to go without checking their make-up or cell phones for calls from their managers.

At their core, Fleshies are the rhesus monkeys of the performance world, clinging to each other for some semblance of affection but ultimately willing to give that up for warmth and sustenance.

Not so puppet actors, aka the Felts or Felties.

Flesh v Felt

These are the apex predators of the performance world and should always be treated as such. Sure, they look cute and cuddly, with their giant heads, bulging eyes and disarming colours, but that’s exactly what they want you to think.

You don’t write for Felties so much as start a sentence that is perpetually interrupted with ideas or lines the bastards think are smarter, funnier, crazier.

Fleshies forget their lines because they’re not too bright…Felties “forget” because they are malicious egotists.

Adding to the challenge is the near-impossibility of figuring out a Feltie. He, she or it is the poster-child for multiple personality disorder.

You think you’re writing a scene for a young Spanish girl, when out of nowhere a tall Jovian Codswadder shows up to take the scene in an entirely new direction. (To this day, the only thing I know about Codswadders is they come from Jupiter, where given the crushing gravity, their height makes no sense.)

Not the home of young Spanish girls

NOT the home of young Spanish girls

It’s like dealing with someone with hyperactive comedic Tourettes, and trust me, I’ve taken enough improv classes in Toronto to know what that looks like.

Felties are also astoundingly lazy creatures. Sure, they look frenetic on the television screens, but in reality, these buggers will literally not lift a finger without someone doing it for them. Our show has an entire team of Feltie fluffers whose entire job is to see to the every-last needs of these freaks. We’re talking major OCD: obsessive-compulsive demands.

Trust me, the dictionary writers of the world have the concept of “puppet master” completely backwards.

Masterclass

To be fair, the Felties do sometimes come up with lines that are funnier than the stuff I wrote. But on the flip side, they get away with lines that no intelligent Fleshie could ever hope to pull off.

This has two impacts: 1) the Feltie doesn’t have to try very hard to get a laugh, and 2) they can be as crude, rude and insulting as they want, knowing everyone just thinks “awwww, how cute”.

There’s a reason you don’t hear a lot of puppet radio programs…the shit they come up with is repugnant.

NPR = Nasty Puppet Radio

NPR = Nasty Puppet Radio

So, why do I stay? Why do I continue to write for these self-glorified hand-warmers?

Most days, I don’t know.

But then the rent comes due and I realize that my best chances at succeeding as a “comedy writer” is to have my words (or some semblance thereof) come out of a Feltie’s mouth…and those lint-sucking leeches know it, too.

 

SomeTV! is being produced by Lemon Productions Inc.

Like us on Facebook: SomeTV!Lemon Productions Inc.

Follow us on Twitter: @SomeTVNews

10K views and 1 year later

Hey all,

Just surpassed the 10,000 view mark on the blog (as well as my 1-year anniversary), so I wanted to thank you for looking at the blog, reading the blog, commenting on the blog and recommending the blog.

I am grateful to all of you, but particularly want to thank those who take a moment to post and exchange your thoughts on what I write or photograph. For you to put out that effort means the world to me.

Here’s to the next 10,000 views!

Thank you…Randy

My blog universe as of March 17, 2014

My blog universe as of March 17, 2014

No

Not yet

I love what I do.

I love writing. I love coming up with new ideas to write. I love helping other people put their ideas into words and then into action.

This is why I struggle with one of the shorter words in the English language: No.

Hello, my name is Randy, and I am addicted to new projects.

There was a time when my inability to tell people no stemmed from my fear of letting them down. Or more accurately, my fear of them never asking again and my value as a person being reduced to zero.

Not so now, luckily. Now, I find my value internally. I am, therefore I have value.

Interestingly, though, I still struggle to say no. But now, it’s a curse of enthusiasm and confidence, now fear and self-loathing.

And to complicate things further, that same enthusiasm and confidence attracts people who are more timid in one or both. People with ideas but lack voice, or with voice but lack means.

I am glad that they see me as a vector through which to explore and advance their visions. At the same time, I have to remember that my bandwidth is limited. It is less the hours in a day and more the daily ration of creative energy that limits me.

(BTW, this is why I don’t upbraid myself for spending hours on the computer or playing Solitaire. That is my period of recharge.)

At some point, I have to limit my involvement in others’ works. I have to save enough space for my paying gigs, lest I be hungry and homeless, and for my creative projects, lest I be frustrated and unhappy.

I have to say “No”.

You recently published a book and want to turn it into a screenplay? Great!

You’ve got an idea for a comedy sketch event? Fantastic!

I came up with another great concept for a movie? Congratulations! (Yes, even I drain my batteries.)

I’m not saying I won’t help, but don’t take it personally if I limit my involvement. It is not a reflection on you or your idea but rather on me and my limitations.

Today, I can work with you. Tomorrow, I may only be able to listen to you. The next day, I may not even be able to do that.

Oh, and I’ll do my best to recognize and respect those same boundaries in your life.

No doesn’t mean your idea sucks. No doesn’t mean I never want to work with you. No simply means I can’t, not right now, no matter how much I might want to. There are shades of No.

I can’t because I already have plenty on my plate. I can’t because I have to keep myself a priority. I can’t simply because I can’t.

But I wish you all the best in your efforts.

Yellow sub no2

In a slightly unrelated brain fart, the concept of No reminded me of one of my favourite revelations from the movie Yellow Submarine, the animated Beatles film.

Early in the film, as the forces of evil are over-taking Pepperland, a ballistic glove called Glove chases people and smashes things with his giant fist, including the letters in the giant Technicolor word “KNOW”. First, he smashes the K to make the word “NOW”. He then smashes the W to make the word “NO”, which becomes black-and-white.

Late in the movie, when the Beatles—disguised as Sgt. Pepper’s Lonely Hearts Club Band—lead the people’s revolt to reclaim their land, the smashed letters reverse and become colour again.

What surprised me was that having watched the film at least a dozen times before, it wasn’t until late in my “adulthood” that I realized the message embedded within the two events.

No pic

 

Consider my mind blown!