Judging Amy…Schumer…in Trainwreck (a review)

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I need to disclose that I adore Amy Schumer. I think she is an amazingly funny and talented comedian who has a knack for finding every nerve in every situation. Thus, I was petrified when I heard she was going to write and star in a movie.

Obviously, it’s not that I didn’t think she was talented. More that the talent to pull off a movie is very different from the talent to perform stand-up or biting sketch comedy.

Most comedians do not make the transition smoothly, and when they do, it is largely because they have completely reinvented themselves, often after several rocky outings. And many simply make the not-particularly-safer jump to sitcoms.

There is a lot to like about Schumer’s Trainwreck, so in that sense, I am happy that she didn’t completely self-immolate. On the other hand, the film had a lot of weaknesses that simply highlighted the challenge of writing a 122-minute sketch.

The movie had a lot of funny lines and several funny moments, based on the laughter that surrounded me and periodically fell out of my own face. And the humor was classic Schumer for those familiar with her comedy.

Anatomical jokes. Sexuality jokes. Feminine hygiene jokes. A bit of racism here and there. And crap loads of jokes about what a giant slut Amy is—note that she followed long-standing comedian tradition of naming her character after herself.

And Bill Hader was amazing in the role of the sports surgeon-boyfriend Aaron, particularly as he largely played the entire movie straight. This was not one of Hader’s million oddball characters. This was Hader being a regular human being who hangs out with multi-million-dollar sports figures.

Where the movie fell down for me was in the story. In short, it was a pretty stereotypical romcom.

In this case, they didn’t go with the “I hate you, I hate you, I can’t live without you” model of Nora Ephron. This was more the increasingly familiar “I don’t know about this, gee this is nice, what the hell, I hate you, never leave me” model.

Now, as a romcom, that is perfectly fine. If you came looking for a romcom, you will leave satisfied. It’s classic Judd Apatow, who directed Trainwreck.

But this was hailed as the anti-romcom (not necessarily by Schumer). The movie that turns romcoms on their head. Yes, the commitment-phobe in this story was the woman and not the man, but Schumer couldn’t seem to commit to that, ironically enough.

Adorable couple...cue trainwreck in 3...2...

Adorable couple…cue trainwreck in 3…2…

After establishing her character as the wham-bam-thank-you-sir kind of girl, she almost effortlessly falls into a relationship with Hader. There is token resistance, but it is overwhelmed simply by Hader saying he doesn’t agree and thinks they should be dating. This isn’t edgy; it’s sweet. Even her voiceover admits that.

Not to give anything else away, but conflict, crisis, lesson learned, gritted teeth, redemption and I love you, I love you too.

Again, if you want a romcom to match all romcoms, you got it. For those of us waiting for the Amy Schumer jab-twist combo, it was meh.

As to all of those other amazingly funny performances that everyone was raving about, I must have blinked through those scenes. It was a bigger shock seeing Tilda Swinton as a woman (and not David Bowie) than seeing her crack wise. Colin Quinn largely played Colin Quinn, who I like but did nothing spectacular here. Dave Attell wasn’t even funny.

Tilda Swinton and Tilda Swinton

Tilda Swinton and Tilda Swinton

And the various sports dudes like LeBron James and John Cena were your typical variety show variants of athletes…mostly cartoonish feminized versions of their personas.

Schumer had moments of real pathos here, so kudos to her acting chops. This wasn’t the joke-a-minute machine of her show. There is definite potential there for a film career, but like all the others who came before her, it will likely mean reinventing herself, and I’m not too sure that she’s finished inventing herself on stage or in sketch.

In fact, I sure as hell hope not, because that’s the Amy I adore.

Lady gonna do whatever she damned well pleases!

Lady gonna do whatever she damned well pleases!

Ant Man (a review)

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Paul Rudd and his dimples want to don a motorcycle suit and play superhero. Yeah, that’ll work, I thought with a ready batch of vitriol sliding around my tongue-in-cheek.

Thus, I went to Ant Man last night expecting a disaster…and was surprised. Not only was Ant Man not a disaster, it was actually a delight; easily becoming my favourite Marvel movie to date.

As my friends and I discussed over beers, Paul Rudd plays Paul Rudd. It is the only character he knows. The immensely likeable fuck-up doofus who somehow manages to do the right thing in the end. As such, Paul Rudd is perfectly suited to likeable fuck-up roles in movies like Our Idiot Brother (you’ll never guess which role he plays in this movie).

But a superhero? Really? I didn’t see it.

But it is the doofus that makes Ant Man work. And it is the doofus that makes this movie so approachable to a mass audience.

Sure, these are all comic book movies. You are asked to leave your credulity at the door as you make your way to your seats. These are gods, aliens, spirits and every once in a while humans with supernatural powers or genetic mutations.

Let’s face it. Tony Stark only gets to keep company with these guys because of his smarmy wit, which is his supernatural ability, brought to life deliciously by Robert Downey, Jr. The suit is just a nice-to-have.

How the hell did Paul Rudd and Ant Man get into this picture? Even the movie makes fun of the costumed crusader’s name.

Rudd manages to make Ant Man believable and by that, I mean both the character and the entire concept. The doofus brings a heart to this character, a grounded reality to this character that no one else has ever managed. He is what Peter Parker was supposed to be, but without all the angst.

Doofus as superhero? It works!

Doofus as superhero? It works!

You could have a beer with Ant Man, and that is why this movie will do incredibly well.

Ant Man is also amazingly funny, rife with jokes and awkward moments that completely work. Even a sourpuss like me was heard to laugh out loud on more than one occasion. Some of that comes down to Rudd’s timing, but no character is left without laughs. Everyone contributes in this movie.

Another factor is that you don’t have to be immersed in the Marvel universe to get this movie. You don’t have to have seen every predecessor movie to understand what is happening—see my previous thoughts on Age of Ultron. Only in a couple of places would that knowledge have made the joke better, but even there, the jokes worked.

The story is a comic book story, and so has the depth one might expect of something aimed at 10-year-olds, but again, that’s the kind of story in which a doofus revels. And unlike the other Marvel films, this adds a touch of Wile E. Coyote, just to keep it light.

My only other notes of…well…note: Michael Douglas is amazing; Evangeline Lilly is gorgeous and fun; and I have never wanted a pet ant more in my life.

#LivingForHappiness

A friend starts her own journey to happiness. If her blog in any way matches her amazing personality and love of life, I highly recommend you follow her.
I can promise from experience that she will never bore you!

plisseveld's avatarPipe's Adventure

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I’ll be 47 this year and my journey to NOW started about a year and a half ago although at the time I didn’t know it. I was comfortable in my job as a technology manager at a local not-for-profit association. Although the work was no longer challenging, I loved my co-workers, felt appreciated and respected, made decent money and had tons of flexibility with my schedule and travel. It was a dream job in so many ways, and IT WAS COMFORTABLE, so I stayed and found fulfillment in other ways. My wonderful, supportive Vice President agreed with my proposal of telecommuting full-time and spending 6-months in Oregon and 6-months in Virginia so I could maximize my time with family and friends. I had a 10-year plan to stay until early retirement. I had already been at the company for 14-years and loved nearly every moment, so the decision seemed…

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The moochers of High Park

After a couple of hectic weeks actually working (yeah, that money thingey…how weird, eh), I finally managed to get the camera back out, trekking across town to catch a little oasis of green in the midst of the big city: Toronto’s High Park.

Seems the fauna have been waiting for me, because even the relatively belligerent red-winged black birds were willing to see if I had food to share.

The most dangerous F word

Fear

Hate is fear rationalized. Hate is fear acted upon.

Hate is the belief that fear is finite; that if I bestow some of my fear on you, I am unburdened.

But that is a lie.

Fear isn’t of this universe. It doesn’t live by the E=mc2 paradigm. Fear has limitless potential for growth.

Any more than I can relieve myself of a pestilence by giving it to you, my fear remains and may even grow when I pass it along.

Surely a little fear is okay, keeps us from stepping off cliffs or traveling dark paths.

Fallacy.

Fear doesn’t keep us safe. Knowledge does.

Vista

Knowledge keeps you from stepping off the cliff. Fear keeps you from seeing the spectacular view.

Knowledge removes darkness from the alley. Fear keeps you from seizing new opportunities, from discovering new paths.

Fear doesn’t come into existence of its own accord but like a virus, is passed from person to person.

The newborn infant has no fear until startled by a parental “No”, the opening dose of fear.

infection

We do not naturally fear others until given a reason. And rarely is that reason the other we have chosen to fear, because fear rarely approaches face on.

Fear is the demon that eats us from inside, a parasite that controls our minds for its own perpetuation.

But what is worse, what makes it so insidious, is that fear is easy, demanding little of us other than that we close our senses to the truth.

And it is the facility with which so many of us are willing to do this that makes fear the most dangerous F word.

Burden

Tuesday troubles

Passengers crowd the Brown Line train in the Loop at evening rush hour, Wednesday, July 16, 2008. The CTA plans to eliminate seats in some train cars to alleviate crowding. (Chicago Tribune photo by Alex Garcia) ..OUTSIDE TRIBUNE CO.- NO MAGS,  NO SALES, NO INTERNET, NO TV, CHICAGO OUT.. 00296065A TrainSeats

Edward didn’t expect much from his day as he rode the subway into work.

It was Tuesday. And as any actuary will tell you, Tuesdays are the least eventful work day in any given week. Edward would know. He too was an actuary.

Now, don’t get me wrong. Edward was not dissatisfied with Tuesdays, or any day of the week for that matter. He just didn’t expect much from it, and definitely less than from say a Monday or a Thursday.

Unbeknownst to Edward, however, today was unlike a typical Tuesday. Today, in fact, was a Tuesday that actuaries dread. The outlier. The anomaly. Today was the Tuesday that lurks in the dark crevices of an actuary’s heart.

Jessica hadn’t expected to leave the house so late this morning. But with Maria’s daycare shut down and Todd’s absence at a business conference, nothing was moving particularly smoothly for the young lawyer and suburban mother.

Vomiting herself from the commuter train as the doors inched open, Jessica practically crowd-surfed to get across the chaotic platform and into the stairwell to the subway system. Today was the Witkenstein proposal and although she herself was not presenting it, the command had been all-hands-on-deck in a show of force. Rare is the law firm that doesn’t like to demonstrate its cannon-fodder for clients.

Catching the smallest of slivers through the human maelstrom on the subway platform—her rail-thin form finally offering her some advantage in life—Jessica slid to the rail-side edge just as the string of cars came to a halt. Unfortunately, that same eel-like body structure meant that she was no match for the human surge that blew her through the subway doors and wedged her against a man of middling height, middling complexion and middling posture.

With a middling acknowledgement of her existence, Edward shifted his elbow slightly so that Jessica could grab the same pole to which he clutched for support in the shifting ebb and flow of transit.

Now, if pressed, Jessica would swear an oath that the box in which her travel mug arrived the previous Christmas promised that it was designed with the latest in anti-spill technology. She had even tested it at home several times, marveling at the results.

But as any actuary will tell you, the chances of a scalding burn from the spilling of hot beverages rises 342% when that beverage is being consumed on mass transit. Edward would know. He too was an actuary.

Now, whether the next event fulfilled that statistic or the numbers were slightly off, the simple reality was that the precise moment the subway took a turn in the tunnel was the same moment that Jessica had tried to reposition herself to lessen the strain on her crooked elbow.

This moment was followed shortly thereafter by another moment in which the incorrectly positioned lid of her travel mug became even more incorrectly positioned and her coffee evacuated itself onto Edward’s shirt.

mug stain

Jessica was horrified as she helplessly watched the taupe liquid spread across the stranger’s chest and cascade as a beige waterfall into his trousers.

As surprised as Edward was by the turn of events, a small part of his brain was also relieved that Jessica liked to use non-dairy creamer, which slightly helped to temper the scalding liquid.

“Bloody hell,” Edward bellowed, his pain sensors over-riding his public decorum filters.

“Oh my god, I am so sorry,” Jessica cried as she struggled through her bag to find that pocket Kleenex pack she had purchased just the day before.

As Edward fought to literally calm his nerves, Jessica did what she could to blot his formerly white shirt, unaware of her increased range of motion as a halo of space had formed around the two of them, everyone retreating from the mess.

“Are you okay?” she asked, genuinely concerned that he might need medical treatment.

Edward was too engrossed in the sensation of slightly sticky dampness that was now encasing his genitalia to answer right away.

Coming back to the moment and realizing that skin grafts were unnecessary, Edward simply raised a placating hand.

“No worries,” he offered with a smile. “Accidents happen.”

Edward would know. He was an actuary.

Jessica did her best to return his smile, but her embarrassment was still too great for her to be comfortable. She had little time to worry, however, as the subway pulled into her stop.

“Here’s my card,” she blurted, pressing her card and the remaining Kleenex into his hand. “Please send me your dry cleaning bill.”

Before Edward could tell her that her offer was kind but unnecessary, Jessica slipped out of the car with the crowd. His thoughts then shifted to making a quick stop at the department store between his subway stop and the office.

Jessica would have had a funny if embarrassing story to share with her husband later that night had the first of the meteors striking off Japan’s coast not started the cataclysm.

Regardless, the nuclear winter that started later that day taught Edward a valuable lesson.

Actuarial science gets it wrong some times. Tuesdays can be eventful.

meteor

Valuable lessons in Legs Crossed Hands On Your Lap at Toronto Fringe

Teachers say the darndest things!

Teachers say the darndest things!

The first day of school can be a pretty scary time; learning all new rules, meeting so many kids, and finding out which teachers are the mean ones. And as Ms. X (Debra Hale) shows us in Legs Crossed Hands On Your Lap, it can be harder on the teachers than the kids. Her story opened its Toronto Fringe run today at the Tarragon Theatre Extraspace.

Legs Crossed Hands On Your Lap follows a year in the life of new teacher Ms. X as she tries to figure out students and adults alike. The result is a heart-felt and often funny tribute to the second oldest profession. Or as playwright Yael Sirlin describes it, an open love letter to teachers.

Although Hale carries the bulk of the dialogue on stage, she is given amazing support by Jamillah Ross and Stevie Jay, who from my seat, seemed to be having the bulk of the fun on stage. Playing anything from teachers to students, principals to parents, Ross and Jay are a whirlwind of strange voices and oddball body language. And as cute as their child characters were, it was their portrayals of control-freak teachers that seemed to generate the most laughs from the audience.

Stevie Jay has some issues with teacher Debra Hale and fellow student Jamillah Ross

Stevie Jay has some issues with teacher Debra Hale and fellow student Jamillah Ross

The play isn’t simply Kids Say the Darndest Things Live, however. In a couple of places, the tone took a darker turn as the actors dealt with more serious issues like bullying. This was where the opportunity for a teacher to touch a student’s life took centre stage.

Those moments aside, as Fringe fare goes, Legs Crossed Hands On Your Lap felt pretty light. It likely won’t make you re-examine your life or challenge your thoughts on art.

But then I don’t think that was the intention of the piece. Instead, it is here to entertain and to celebrate teachers with all of their foibles. And in this, I felt it totally succeeded as a highly enjoyable hour of smiles and laughter.

[Review first published at Mooney on Theatre.]